Du Bois's 1928 novel Dark Princess was written in English but its medievalist re-imagining of a court romance is set in Berlin, where its African American protagonist falls in love with a princess who introduces him to a world of people of colour in positions of power and influence. Useful for courses on medievalisms or … Continue reading Du Bois, W. E. B. Dark Princess (Oxford: Oxford University Press, 2014).
This edition in modern German translation compiles some of the most important mystical writings of the medieval period, originally written in Latin and in Germanic languages, and including work by significant women writers. The works show the diversity of medieval Christian mysticism, including writers accused of heresy, demonstrate the complexity of medieval authorship and the … Continue reading Johanna Lanczkowski (ed.), Mystische Texte des Mittelalters (Stuttgart: Reclam, 1999).
Thomae's novel is great for anyone teaching courses on masculinity, contemporary depictions of the GDR, German depictions of Britain, and Black German identities. Her two protagonists, one in Berlin and one in London, are the brothers of the title. Their stories never intersect, and the narrative twists and turns through a broad range of genres … Continue reading Thomae, Jackie. Brüder (Berlin, 2019)
Please give a short description of the item: what's useful or interesting about it? Thomae's novel is great for anyone teaching courses on masculinity, contemporary depictions of the GDR, German depictions of Britain, and Black German identities. Her two protagonists, one in Berlin and one in London, are the brothers of the title. Their stories … Continue reading TESTER FOR JOSH Thomae, Jackie. Brüder (Berlin, 2019)
Li's monograph studies Anna Seghers's engagement with China, Chinese people, Chinese and Taoist thought, art and history, and how this interest is reflected in her literary and political works.
Li's article explores the revival of Romantic artistic traditions and thought in the Weimar Republic through a study of Orientalist depictions of Ancient China and Buddhism in German art historical scholarship.
Cho and McGetchin's volume of essays explores how gender was at the centre of interactions between Germany and Asia (including India, China, Japan, Vietnam, the Philippines, Thailand and Korea). Rather than see Western and Eastern cultures as diametrically opposed, the essays in the volume explore how German and Asian people negotiate gender in closely connected … Continue reading Cho, Joanne Miyang, and Douglas T. McGetchin (eds). Gendered Encounters between Germany and Asia: Transnational Perspectives since 1800 (Basingstoke: Palgrave, 2017).
Shen and Rosenstock bring together essays by scholars working on a range of media (newsreels, feature films, essays, novels, documentaries and historical sources) from the fin-de-siècle to the twenty-first century. All explore the links between German, Chinese and Japanese ideas, writing and culture. Includes essays on Arnold Fanck and the Bergfilm, DEFA documentaries about China, … Continue reading Shen, Qinna, and Martin Rosenstock. Beyond Alterity: German Encounters with Modern East Asia (New York: Berghahn, 2014).
In her monograph, Zhang explores the global connections between German thought (Herder, Kant), literature (Kotzebue, Campe), and travel writing (Chamisso, Forster) and the projects of European colonialism, especially in the Pacific.
This edited collection draws links and conversations between Western European art (German, Irish, Austrian) and Chinese modernism. It casts its definition of modernism widely, including modernist Chinese films in divided Germany alongside earlier literary work, and drawing out the web of connections between China and Europe while avoiding cultural hierarchies.